Our Take

Fiona Davis continues her winning formula of pairing iconic New York institutions with dual-timeline mysteries in "The Stolen Queen," this time turning her attention to the Metropolitan Museum of Art with spectacular results. What sets this novel apart from Davis's previous works is her masterful integration of Egyptian archaeology with the glamorous world of 1970s high society. Charlotte's 1936 storyline offers readers a fascinating glimpse into gender politics in early archaeology, while Annie's 1978 narrative captures the electric atmosphere of New York during a transformative cultural moment. Davis's research shines throughout, particularly in her portrayal of Diana Vreeland—the legendary fashion editor comes alive on the page with all her eccentricity and brilliance intact. The mystery element is exceptionally well-crafted, with connections between the timelines revealed at a perfect pace to maintain suspense without feeling contrived. Beyond the engaging plot, Davis explores deeper themes of cultural appropriation, preservation, and the question of who truly "owns" historical artifacts—questions that remain urgently relevant today. The Met itself becomes a character in its own right, with Davis capturing both its grandeur and its behind-the-scenes workings. For readers who enjoy historical fiction with strong female protagonists and a touch of mystery, "The Stolen Queen" delivers a transportive reading experience filled with both substance and style.